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August 23 2017

GreenBackz63

How you can Produce A Great Rap Song



It is probably fair to say that hip-hop continues to be the most globally influential style of music since some young wag stepped on Elvis's blue suede shoes. GreenBackz Starting out being a voice for African-American and Latin communities in the us, hip-hop soon spread and have become the soundtrack to the 80's, 90's and also the new millennium. Every year its influence and penetration increase, from commercials to films, and from charts to bars. Within this section I'll explain the basic principles of hip-hop production as well as 20 must know suggestions to make the best hip-hop tracks possible.

BEATS AND LOOPS

With hip-hop its by pointing out beats - a great idea is inspired!

Beats are the backbone of all hip-hop. You may be into the cheeky one-two of Dre's Eminem productions or the juddering steps of Dj Premier, you should make sure that if nothing else is playing, your beat still stands up to scrutiny. As US comic Chris Rock put it: "If the beat's alright, they'll dance all night."

As we've already seen, hip-hop beats started off as breaks from records, beatboxes and sampling drum machines, so its very easy for hip-hop produced on a computer to sound a little lifeless. Live playing and clever quantisation can deal with this, though. The primary trick is to maintain it sparse and once there is a basic groove going, try getting different percussive hits before adding more.
Also, its important to keep it uncomplicated. In the event you pay attention to professional hip-hop productions, you'll find that its rare for 2 different percussive elements to try out concurrently - unless its a layered clap and snare, and even then they'll alternate over a bar or two between both playing then just one or another. You'll also hear many parts were a guitar like a shaker only plays to get a small and specific portion of a looped bar, nearly as in the event the different percussive elements consider turns. This really is no coincidence, as hip-hop culture is all about this sort of connection. Wether its DJs, MCs or breakdancers, hip-hop is, at its core, about this form of backwards and forwards interaction, and also this gets in every single production element including beats.

Step-by-step the drums

1-The first thing I actually do when working on beats is lay out a hi-hat pattern. Usually , I do an eighth-note pattern then go back and modify it if required after I've laid down one other parts.

2-Next up will be the kick and snare . I keep them simple initially since i know that I'm going to be using a drum loop underneath. I start with a drum loop and add extra kicks and snares to bolster it. The kick and snare are generally sounds that I re-use on many tracks.

3-Next I'll put in a sampled kick and snare to reinforce the stock kick and snare sounds. This will make the beat sound somewhat thicker and grimier. Furthermore, i leave some 'air' around the tail end - this acts like 'sonic glue', giving the beat a far more sampled feel.

4-The basic beat is now complete and ready to send to the arrange screen, afterwards I'll make use of this pattern as a template for other sections of the song, were I'll add snare fills and rolls.

Step-by-step The loop

1-When using sampled breaks, I make sure they're either royalty-free, original roughly obscure they will not be recognized. That way I do not worry about sample clearance. I am a fan of busy drums so I'll usually choose an action packed two-bar drum break.

2-Now you must match the tempo of the drum break towards the tempo of the song. This can be done with any beat-slicing program.

3-Later on, once you have added vocals etc this can be used drum break, were its needed during your song.

MELODIES, STABS, SAMPLES AND SYNTHS
The same as almost every other kind of music, hip-hop's gotta have hooks

Melody or bass: it's tough to state what type you can start work on first, because hip-hop are at its best when its simple - great tracks frequently have a bassline but no melody or the other way round. And quite often the bassline will be the melody.

Most hip-hop remains made out of samples as the main musical hooks, but while these samples were, for some time, more often than not sections from classic records, these days they may be a lot more obscure, edited and processed. Its no longer enough to sample a section off an 80's rare groove hit and whack it more than a beat.

While hip-hop continues to be quite definitely a sample-based discipline, there are plenty of excellent synth-hop tracks out there. If you've heard Kelis' milkshake, you know how funky a great synth line can sound with the proper tight beats.

The critical thing to remember just isn't to over-egg your production pudding. Invest the away one thing from all of these lessons, its that hip-hop is supposed to be simple but effective, so always try getting sections or notes before you begin adding more. And remember hip-hop is focused on bringing seemingly disparate elements toegether - Run DMC's sampling of Aerosmith on Walk This Way, as an example - so dont be afraid to experiment. Even harp solos and steal band recordings make excellent melodies in the right hands.

Finally keep in mind that in hip-hop you can never go to far wrong in case your riff plays around the first beat of a bar, is easily muted, and then sees again from around the third beat. Seriously, it is a winning formula - try it out!

BASS,BASS,BASS

Busy, bouncing or not in any way... its your choice!

Some other kinds of electronic music are only for the highs and lows (well, in frequency terms, anyway), hip-hop definitely works from the waist down, and is also all about punchy mids and bass. Once you listen to a well produced hip-hip tracks in a club, the bass will shake the space to the core, sometimes more than much harder dance styles.

You will find three main reasons why hip-hop can get away with having such heavy frequencies without it sounding like a muddy mess. First, the tempo is fairly slow, giving far more room for individual notes to breath. Second, the make up of hip-hop is significantly sparser, often with simply an easy beat and bassline throughout. And third, the bass patterns commonly are not as busy as other genres and so are often played so low how the pitch of individual notes aren't simple to recognize.

Naturally, there are a variety of b-line flavours in hip-hop, however, these days basslines are often just used to bolster the beats, layered underneath, or after every couple of bars, creating yet another groove under those of the beats. The golden guideline for hip-hop basslines is to treat them as another percussive element, instead of a melodic one. So that as with any drum pattern, everything you rule out is generally much more important than what you allow in.

What type of BASS?

The issue of if you should keep the bassline simple or funky is a tricky one, and depends largely on what style of hip-hop you make fast and funky Pharcyde-style tunes than you can get away with much more bouncy basslines. Similarly, if you're sampling a huge of the famous record, you'll be able to bring your lead from that. But for almost every other kinds of contemporary hip-hop, the bassline can be a less complicated affair. If theres some sort of sampled or played melody, then a bassline will frequently play in accompanying bursts. Another popular trick would be to have simple sub-bass stabs every few bars, and then a strong bassline within the chorus. In reality, sometimes there isn't even any bassline inside a track in any way.

Finally, for the smokers on the market, Cypress Hill along with other similar artists were pioneers from the deep, slow and simple rolling bassline. Definely one to consider. GreenBackz In a nutshell, the key with hip-hop bass is almost always to keep it very sub-bass oriented and straightforward.

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